Skip to content

Free Gun and Weapon Sound Effects for Games and Film

Gun sound effects and weapon sounds for shooters, action scenes and animation. There's gunfire, cocking and reloading, falling bullet shells, RPG fire, taser crackles, slingshot hits and 8-bit sword unsheathes.

44 free guns & weapons sounds

Get 40 of them in one ZIP ↓

Get the Guns & Weapons kit

The top 40 of the 44 sounds on this page in one ZIP file (40 at most, and none over 2 minutes). It comes with a list of every sound and the license, and the file names have no spaces, so they drop right into a game engine or an editor.

Free for personal and commercial use, no sign-up. MP3 is the smallest. Want trimmed and mastered 24-bit WAVs? See the sound packs.

About these guns & weapons sounds

A gunshot is hardly ever just one sound. To sound right, it needs the shot going off, the gun's moving parts and the shells hitting the ground. All three are in here. AR-15 Gunfire and Bolt Action Rifle are the actual shooting. Shotgun Cocking, Semi Automatic Rifle Cocking and Loading a Gun Clip are the handling. Bullet Shell Falling on Concrete is that little detail after the shot that sells it. RPG Fire is the heavy stuff. Taser and Taser Shock are the less deadly options. And for a cartoon or retro look there's Cartoon Gun Fire and 8-Bit Sword Unsheathe.

Get the type of gun right first, then the setting. A bolt action rifle and a semi-automatic have different rhythms. And anybody who knows guns will notice a shotgun pump under a pistol. Decide if the shot is close or far away. Close shots need the crack and the mechanical click. Far ones mostly need the tail. For games, you want a short, dry recording you can process for each environment. Keep the reload and the shells as separate sounds you can trigger on their own. For comedy or anything cartoony, Cartoon Gun Fire or the 8-bit sounds work better. Realistic gunfire can make a light scene feel grim.

Build the shot in pieces. The sharp crack, the middle of the shot, then a tail that fits the location. That's a tight slap indoors or a long slapback across open ground. A convolution reverb of a real space works better than a plate here. Shell drops should land about half a second after the shot. Pan them to the side they fly out of. Keep them a little quieter than you'd expect. Dip the music and background sound at each shot so the crack has room. Use a limiter, not heavy compression, so the attack makes it through. For automatic fire, mix up the pitch and level on every round so there's no obvious repeating pattern.

Every sound here is free for personal and commercial projects, with no credit required. Read the license.

A new sound every day on YouTube

A new sound effect goes up on the Daily Sounds YouTube channel every day, and it shows up here soon after it goes public. Subscribe if you want to hear them first.

Subscribe on YouTube